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Reader, Every few months, I lead a pair of workshops in an old mobile building with rackety air conditioning and thin walls. It sits on the campus of a local ministry that helps men re-enter society after a stint in prison. (Multiple stints for many.) For ninety minutes, we gather around plastic folding tables arranged in a broad circle. The men aren't showing up to improve their writing. They're showing up to do some expressive writing. I doubt any of these men knew these workshops were part of the package when they enrolled in this program. To their credit, they still show up for the work, both physically and emotionally. They pull out pencils and loose sheets of lined paper. They write with intention, embracing the exercise, even though handwriting is hard and school was seldom kind to them. And then they take turns reading aloud, generously sharing what they've written with the rest of us. The prompts I give them are seldom softballs. Once we get past the icebreaker, the writing prompts are designed to dig deep. "What do you want people to know about you when you first meet them?" "Write a letter to your future self, celebrating the person you've become." "What words do you wish someone would you say to right now?" And, my personal favorite: "Write something that begins with the phrase, 'I remember.'" Sometimes, we hear stories about their childhood, glimpses of happier days. The first time their grandfather took them hunting. A recollection of Grandma's blueberry pie. Their teenage sweetheart, the first person who ever took them seriously. But these glimpses are often overshadowed by the harsh conditions that set them on the path they're desperately trying to leave. The childhood friend whose life was ended by a shotgun blast to the face. The dad who crushed twelve-packs every night and taught them to guzzle beer when they were ten. The sister who wandered into the woods, high and strung out, never to be seen alive again. When they write, these men aren't making excuses. They're simply telling the truth. This happened. That happened. I felt this way. I didn't feel that way. These truths are precisely what makes their writing so powerful. They're not trying to spin. They're not trying to sell something. They're just trying to give words to what's inside them. One morning, I gave a group a simple prompt: "I hope..." Their assignment was to finish the sentence, either as a paragraph or as a series of sentences. A quiet, burly giant rocked me with his response: "I hope this works." His voice betrayed no emotion, but his sparse words spoke volumes. It was as close to a perfect sentence as I've ever heard. Keep your stick on the ice. Frank Ewert |
I am currently documenting the process of writing my next book. It's a behind-the-scenes look at the beautiful, messy adventure of transforming my short-form writing (emails, social media posts, random notes) into a cohesive, compelling manuscript. If you've ever wondered if you could turn your own short pieces into a full-length book, join my newsletter and learn how.
Reader, As much as I love Anne Lamott, I'm ready to ditch the idea of "shitty first drafts." I have Gary Larson to thank for this epiphany. My sons like to read while they eat, and one of them left The Prehistory of The Far Sidesplayed open on the kitchen table last night. The Far Side is always wonderful, but this particular volume is one of my favorite. Larson offers a glimpse into his creative process. One section—the one Charlie had left open—contrasts finished panels with the drawings...
Reader, "Purpose" is a tricky word. Each and every one of us needs to feel a sense of purpose. It's what gets us out of bed in the morning, even when the alarm goes off earlier than we'd like and we find ourselves practicing smiles to flash at the bully who signs our paychecks. This need isn't just an existential question. We desperately want to feel like the activities we give our time to are actively engaging who we really are. We don't want to be loved simply for the things we do for other...
Reader, If you want to write a book, you have to get comfortable with two uncomfortable things: uncertainty and the unknown. Everything about writing is uncertain. Will the right words flow from your fingertips when you crack open your laptop? Will anyone care enough to open the email? Will they make it to the second stanza of your poem? If they dislike what you say, will they leave a scathing remark about your weight? If they like it, will they bother to tell you or will they, like everyone...